Bach Bibliography
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Series : ^CambridgeStudMTheoryAnalysis$
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TypeListAuthor Title[further info]SeriesVolNoYearPagesStatus
[]
1. Rothfarb, Lee A.Introduction. CambridgeStudMTheoryAnalysis 2 1991 1-33
2. Kurth, ErnstGrundlagen des linearen Kontrapunkts (Foundations of linear counterpoint). CambridgeStudMTheoryAnalysis 2 1991 35-95
3. Rothfarb, Lee A. (ed.)Ernst Kurth: Selected writings. CambridgeStudMTheoryAnalysis 2 1991 xvii, 235p
4. Schenker, Heinrich; Siegel, HediThe organic nature of fugue as demonstrated in the C minor fugue from Bach's Well-tempered clavier, book I. CambridgeStudMTheoryAnalysis 8 1996 31-54
5. Schenker, HeinrichThe sarabande of Bach's suite no 3. for solo violoncello [BWV 1009]. CambridgeStudMTheoryAnalysis 8 1996 55-58
6. Rothgeb, John; Schenker, HeinrichA counter-example: Max Reger's variatons and fugue on a theme by Bach, op. 81, for piano. CambridgeStudMTheoryAnalysis 8 1996 106-117
7. Schenker, HeinrichThe masterwork in music: A yearbook. II (1926). CambridgeStudMTheoryAnalysis 8 1996 xvii, 133p

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